Feel a Thing - Meet Me @ the Altar

Feel a Thing - Meet Me @ the Altar

3:26

Model Citizen, 2021

Written by Edith Victoria and Téa Campell

For my money, Meet Me is the best power-punk trio going.  This song, among their best, is as raucous as it is catchy.  I love the muscular chant-chorus in the break: "Am I stuck? Can I defeat this? / With my luck, would I be complete then?"  The tempo never flags, especially that machine-gun drumming.  I read a review that called this "Nintendo-core;" my teenaged daughter said it sounded like a rock band you might hear in a Disney movie.  That's fair; it is pretty polished.

France - Grateful Dead

France - Grateful Dead

4:03

Shakedown Street, 1978W

Written by Mickey Hart, Bob Weir, and Robert Hunter

To commemorate, even if obliquely, Bastille Day, today we have this overlooked gem from the Dead.  Built around a steel drum line and handclaps and sung by Donna Jean Godchaux and Bob Weir, this is one of the few Grateful Dead songs the band never performed live. Fans have long regarded it as a low point, and apparently so did the band.  According to Robert Hunter, it started out as a Latin jam, but was changed and abbreviated for the album.  Mickey Hart later wrote of this song, "We were trying to sell out."  I get the objections, but I don't care for all this gatekeeping of the jam vibe, man.  It might be poppy, for a certain 1970s definition of "pop," but I dig it, myself.  

Five Minutes More - Frank Sinatra

Five Minutes More - Frank Sinatra

2:37

Come Swing With Me!, 1961

written by Sammy Cahn and Jule Styne, 1946

Sinatra originally recorded this song in 1946, but re-recorded it for his last swing album for Capitol.  It's written from the point of view of a suitor who begs his inamorata for just a few more moments together, unwilling for the evening to end: "All week long I dreamed about our Saturday date / Don't you know that Sunday morning you can sleep late?"  Sinatra remains in strong vocal form, and Billy May's orchestra wisely gives him the spotlight, while still turning that classic big band sound, with full brass stabs, all the way up.

Fernande - Georges Brassens

Fernande - Georges Brassens

3:40

Georges Brassens, 1972

Written by Georges Brassens

Cette chanson franchement grivoise traite, disons, des érections. La Fernande du titre est une femme que le narrateur trouve attirante, comme bien d'autres : « Quand je pense à Fernande / Je bande, je bande / Quand je pense à Félicie / Je bande aussi / Quand je pense à Léonore / Mon Dieu, je bande encore. » Une femme nommée Lulu, pour des raisons qui demeurent mystérieuses, ne produit pas cet effet sur lui. Qui peut dire pourquoi ? Brassens prétend qu'il s'agit du refrain de tous les vieux célibataires, qu'ils soient gardien de phare, gardien de prison ou séminariste ; même le Soldat inconnu finit par s'en faire l'écho.

The First Cut Is the Deepest - P.P. Arnold

The First Cut Is the Deepest - P.P. Arnold

3:05

The First Lady Of Immediate, 1968

Written by Cat Stevens

Although Stevens recorded his own version of this song of a love gone wrong, Arnold beat him by a couple of months.  Steven's lyrics hit like an arrow to the heart, accurately capturing that peculiar mixture of loneliness and heartbreak in the wronged: "I still want you by my side / Just to help me dry the tears that I've cried." describing the feeling of heartbreak and Arnold's soulful vocal, full of pathos and regret, matches the helpless feeling of the lyric. The song was a hit single for six different artists: Arnold, Stevens, Keith Hampshire in 1973, Rod Stewart in 1977, Papa Dee in 1995, and Sheryl Crow in 2003.

Silver and Gold - Noah and the Whale

Silver and Gold - Noah and the Whale

3:24

Heart of Nowhere, 2013

Written by Charlie Fink

This is a song that wears its influences on its sleeve.  The very first line references Neil Young's classic albums: "Well, I was looking for harvest, but I only found silver and gold."  The song is structured around a repetitive simple percussion line, but when the chorus kicks in, the synth riff, vocal delivery, and even the lyric strongly evokes the Talking Heads' "This Must Be the Place."  It's a song that asks for faith in love in a time of confusion and uncertainty, but doesn't offer any promises.  "And you’re just hanging on to a glimmer of hope / Of the life you had before / But it's too late."

Something's Gotta Give - Frank Sinatra

Something's Gotta Give - Frank Sinatra

2:38

Come Dance With Me!, 1959

Written by Johnny Mercer, 1954

My favorite version of this song is from Ella Fitzgerald's phenomenal, powerful race through it on her Johnny Mercer Songbook album of five years later.  But Frank does an admirable job here; he's in fine voice and gives it that brash, youthful energy he had then, adding a "let's tear it up" ad-lib at the and.  But to me, the band takes center stage here, blaring nonstop brass flourishes throughout, and sharing about equal time with Frank.  Maybe this song could stand a few more verses.

Shake, Rattle and Roll - Sam Cooke

Shake, Rattle and Roll - Sam Cooke

3:24

Night Beat, 1963

Written by Charles Calhoun, 1954

Elvis made this song popular with the white kids, although Big Joe Turner recorded the sly, buzzy original.  Cooke's smooth vocal delivery makes the lyric less a sleazy come-on, so the words, when you discern them, come as rather a surprise.  There's a lascivious verse that the King eschewed: "Ah, you're wearing them dresses / The sun come shining through / I can't believe my eyes / All of that belongs to you."  And a later refernece to a "one-eyed cat / peeping in a seafood store" strikes me as a pretty sly innuendo.

Show Me the Man - The Fighting Men From Crossmaglen

Show Me the Man - The Fighting Men From Crossmaglen

2:50

single, 1997?

Written by Kathleen Largey

This song, about which there is very little information on the internet, is also known as "I love Old Ireland."  It's usually grouped with Irish rebel songs, a genre I grew up absorbing, but it's really more of an Irish patriotic anthem (it lacks both accounts of desperate rebel bravado and vituperation for the English).  The narrator boldly proclaims that he stands with country, even if friends and foes mock him for it.  Then comes the boast, "There's not an Irishman today would ever wish to roam / Into a foreign land to live, if he could live at home."  Maybe, but around 1900-1930 there were more than a few takers for ould Amerikay.

Straighten Up and Fly Right - Nat King Cole

Straighten Up and Fly Right - Nat King Cole

2:36

The Nat King Cole Story, 1961

Written by Nat King Cole and Irving Mills

Cole originally released this song in 1944; he re-recorded it for this album with a jaunty tune and cheery male backing vocals.  It's a humorous fable in which a monkey is being carried by a buzzard, who tries to throw him to the ground.  The monkey manages to get his tail around the bird's neck and, presumably, forces him to land.  It shares a similar plot and moral with Rudy Greene's "Buzzard Pie."  Cole's song was based on an African-American folk tale that his father had used as a theme for one of his sermons.