Big Long Slidin' Thing - Dinah Washington

Big Long Slidin' Thing - Dinah Washington

2:58

single, 1954

Written by Leroy Kirkland and Mamie Thomas

A sultry, jazzy R&B vocal, arranged by Quincy Jones and dripping with obvious innuendo in the style of Mildred Jones' "Mr. Thrill."  In this song, the narrator yearns for her daddy with his "big long slidin' thing."  This titular, um, instrument is ostensibly a trombone, but I think we all know what we're talkin' about.  First, a guitar man attaches his amplifier to her "plug," but that does not good.  A piano-playing fellow offers to tickle her keys, but that's not what she looking for, either.  As the man himself explains it: "I blow through here / Then I work my fingers and my thumb / I slide it right up / Then I slide it back again."  They really knew how to raise a few eyebrows back in the 1950s. 

Brutus Road - Michigan Rattlers

Brutus Road - Michigan Rattlers

2:25

Michigan Rattlers, 2016

Written by the Michigan Rattlers?

This hard-driving alt-country rocker reminds me strongly of Son Volt's song 'Drown," especially in the vocal delivery.  The chugging train-track percussion rhythm, the upright bass, and the geographical nostalgia are all part of a country aesthetic, with the attitude and tempo of rock.  According to what I read, the band never set out to be alt-country, and in fact later turned away from acoustic arrangements to a synth rock musical aesthetic.  How unfortunate!

She Made My Day - Willie Nelson

She Made My Day - Willie Nelson

2:43

Last Man Standing, 2018

written by Willie Nelson and Buddy Cannon

In the old tradition of country classics like "Once a Day," this lost-love song is built around wordplay and ironic juxtapositions: "Well, she made my day / But it ruined my life."  The lyric features the same kind of witty, tongue-in-cheek mixture of wry regret and stoicism: "We were gettin' along just fine, just me and me / We understood each other perfectly / Then I let my guard down and there she was / Well I guess that's stupid is as stupid does."  It's a simple and pleasant number that fits the template that the then-84-year-old Nelson could toss of in his sleep.

That's All She Wrote - Ricky Nelson

That's All She Wrote - Ricky Nelson

2:13

Rick Nelson Sings "For You", 1963

Written by Keith Colley and Nancie Mantz

Like "Please Mr. Postman," this teenybopper rock number is addressed to a mailman.  The narrator can't believe that his girl wrote such a cold letter to him ("And at the end / Was Just Goodbye my friend / Just a note / That's all she wrote").  He begs the carrier to take the letter away.  I can't fathom why this catchy heartbreak song hasn't become a classic; it's got an irresistibly catchy chorus and a very relatable theme of being dumped.

She's Just Killing Me - ZZ Top

She's Just Killing Me - ZZ Top

4:56

Rhythmeen, 1996

Written by Billy Gibbons, Dusty Hill, and Frank Beard

Frank Beard died yesterday.  This song is one of their hardest, swampiest blues rockers.  The slick, synth-driven MTV sound is in the band's rearview mirror here, and the grit and sludge are back in the guitar solos, tuned way low.  The tempo is rapid, a straight shot down a long Texas highway.  The lyrics are influenced by the content of the movie From Dusk Till Dawn, whose soundtrack it was feature don.  And are the tres amigos still obsessed with fine foxes and crude innuendo?  Yes.  "Her castanets are enormous / Her bongo beat absolute."  It's a fitting reminder that beneath all the MTV polish and cartoonish sex jokes, ZZ Top was always a hell of a blues-rock band, and Beard's drumming was a huge part of that.  Rest in power, Frank.

She Never Spoke Spanish To Me - Joe Ely

She Never Spoke Spanish To Me - Joe Ely

3:33

Joe Ely, 1977

Written by Butch Hancock

This bittersweet country song, infused with Spanish guitar, tells of the narrator's encounter with a Mexican señorita that seems not to have ended the way he wanted.  "Saints and sinners all agree / Spanish is a lovin' tongue / But she never spoke Spanish to me."  The song's wistful disappointment is undercut by the sly punchline of the title, a subtle nod that the narrator will be all right.  Fun fact: Ely sung backing vocals on the Clash's "Should I Stay Or Should I Go." 

Here She Comes Again - The Stands

Here She Comes Again - The Stands

2:19

All Years Leaving, 2004

Written by Howie Payne

Back in 2023, I featured "When This River Rolls Over You," from the same album, on the blog, and was struck by how much it adhered to the 1960s Dylan template.  This song from the Liverpool band is far less Dylanesque, but still wearing its influences openly, all 1960s and 1970s British jangle pop meets Teenage Fanclub.  It features a catchy familiar melody and tight harmonies.  The lyrics tell of someone's girlfriend who comes and goes, and may not be healthy for the friend.  "Constantly turning yourself in her circles / And rolling yourself into a tight little ball / You were thinking she could / Maybe reach a hand out to find you."  

Trying To Reason With Hurricane Season - Jimmy Buffett

Trying To Reason With Hurricane Season - Jimmy Buffett

4:23

A1A, 1974

Written by Jimmy Buffett

This song, like so many songs by Jimmy Buffett, is written from the perspective of Jimmy Buffett.  Strolling along Florida State Road A1A, he takes a critical look at a grey sky and choppy water.  He's hungover, overslept, and hitting the hair of the dog.  No need to worry overmuch, though; he can always go on a tour if things get hairy.  "It's time to close the shutters / It's time to go inside / In a week I'll be in gay Paris / That's a mighty long airplane ride."  The laid-back, almost resigned, vibe of the song belies the need implied in the lyric for Buffett to maintain a frenetic pace to keep himself going.

Falling And Laughing - Orange Juice

Falling And Laughing - Orange Juice
3:51
You Can't Hide Your Love Forever, 1982
Written by Edwyn Collins

The only thing I know about this Scottish post-punk band is that Stuart Murdoch of Belle and Sebastian considers them one of the greats.  With a droning, jangle-pop sound reminiscent of the Smiths and R.E.M., this song, their debut single, combines hesitant, vulnerable vocals with bright guitars and keyboard lines.  The lyrics tell of a love denied the narrator: "You say that there's a thousand like you / Well, maybe that's true / I fell for you and nobody else / So I'm standing here so lonesome."

Listening To the Rain - Doc & Merle Watson

Listening To the Rain - Doc & Merle Watson
3:14
Home Sweet Home, 1998 (recorded 1967)

Written by Don DeVaney, 1967?

This bluegrass number, like the entire album it's on, is a blend of old and new recordings.  The label took thirty-year-old tapes and digitally added the fine instrumentation of Marty Stuart, mandolinist Sam Bush, and others to fill out the duo's sound.  Merle's skill at the banjo is evident on the recording: his lightning-fast picking adds a jauntiness to the otherwise quite bleak lyric ("The beating on the window can't compare with the beating that I'm taking / The window's gonna hold, but look at me, I'm already breaking").  Note: This song was first officially released by the Osborne Brothers in 1970, but since every source I found insists these Watson tapes are from 1967, I can only assume DeVaney wrote the song earlier than the Osborne released it.