This is a jumpy, quirky slice of power pop. I never had an '80s music fixation, so I only came to this song via Matthew Sweet and Susanna Hoff's much later cover. The lyrics are fairly oblique; the title makes one think of baby Moses bobbing on the Nile, and indeed, the words alternate disjointed Biblical references with mundane modern remarks: "Unleavened bread comes down from heaven" and "Oh, Sally, let's look for baby Moses." I read that the band was originally lumped in with avant-garde and post-punk acts like Television and Lou Reed, and eschewed bland melody for experimentation, but you wouldn't know it from this single song, which, while it has a scrappy garage immediacy, is all straightforward guitar pop. There's crisp, trebly strumming, a clipped, propulsive beat, and a melody that refuses to get weird even when the lyrics do. Maybe that's part of the charm.
Sunday, November 16, 2025
The Bulrushes - The Bongos
This is a jumpy, quirky slice of power pop. I never had an '80s music fixation, so I only came to this song via Matthew Sweet and Susanna Hoff's much later cover. The lyrics are fairly oblique; the title makes one think of baby Moses bobbing on the Nile, and indeed, the words alternate disjointed Biblical references with mundane modern remarks: "Unleavened bread comes down from heaven" and "Oh, Sally, let's look for baby Moses." I read that the band was originally lumped in with avant-garde and post-punk acts like Television and Lou Reed, and eschewed bland melody for experimentation, but you wouldn't know it from this single song, which, while it has a scrappy garage immediacy, is all straightforward guitar pop. There's crisp, trebly strumming, a clipped, propulsive beat, and a melody that refuses to get weird even when the lyrics do. Maybe that's part of the charm.
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The Bulrushes - The Bongos
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