This Grammy-nominated single sounds like a celebration with an apocalypse lurking underneath. Its playful, ominous duality is embodied in the mocking vocals. Beck's desire to be Prince is prety palpable here as the song is propulsed by dumb party energy, synths, and shifting textures. It's dynamic and throbs with motion and potential energy, However, the key there is the potential. It's all unresolved tension. There's no climax when the countdown reaches its conclusion, only unanswered questions and the repeated "We got a time bomb / Na na na na / We got a warning light." The repetition definitely burrows its way into your ear, but the bomb never explodes, the red alert fading away.
"A great song mutates, makes quantum leaps, turns up again like the prodigal son. It crosses genres. Could be punk rock, ragtime, folk-rock, or zydeco, and can be played in a lot of different styles, multiple styles... A great song is the sum of all things." - Bob Dylan
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